Painters, printmakers, photographers.

Adolphe Faugeron

1866 – 1944French

Adolphe Faugeron was a French academic painter trained in the ateliers of Paris during the golden age of Salon painting. Working within the tradition of Bouguereau and Cabanel, he specialized in mythological and allegorical subjects combining idealised figuration with atmospheric landscape. His works were exhibited at the Salon des Artistes Francais.

Anders Zorn

1860 – 1920Swedish

Anders Zorn was one of Sweden's most celebrated painters and etchers, known for his virtuosic handling of watercolour and oil, particularly in depicting water and the play of light on skin. He painted portraits of three American presidents and European royalty. His bathing scenes set in the lakes of his native Dalarna are considered masterpieces of plein-air painting.

Edgar Degas

1834 – 1917French

Edgar Degas was a founding member of the Impressionist movement, though he preferred to call himself a Realist. He is renowned for his paintings of ballet dancers, horse racing, and bathers, as well as his innovations in pastel technique. His radical cropping and oblique viewpoints were profoundly influenced by Japanese woodblock prints and photography.

Emile Baes

1879 – 1953Belgian

Emile Baes was a Belgian painter from Brussels who studied under Joseph Stallaert, Alexandre Cabanel, and Leon Bonnat. He served as personal painter to King Albert I of Belgium and was awarded Grand Officier of France's Legion of Honour. His work ranged from Post-Impressionist nudes to historical and mythological subjects.

Fukuda Suikō

1895 – 1973Japanese

Fukuda Suikō (福田翠光, 1895–1973) was a Kyoto Nihonga painter, born Fukuda Minoru. He trained at the Kyoto Municipal School of Arts and Crafts and in the Seikōsha studio of Nishiyama Suishō, first winning notice with a hawk painting at the 7th Teiten; a later Teiten entry, Hagukumi, took a special prize. Hawks became his signature subject, earning him the nickname "Suikō of the hawks" (鷹の翠光). Late in life he studied under Tokuoka Shinsen and turned toward quieter subjects such as ponds and waterside flowers. He exhibited at the Teiten, Shin-Bunten, and Nitten.

Gloria Swanson

1899 – 1983American

Gloria Swanson (1899–1983) was one of the biggest stars of the American silent screen and among the highest-paid actresses of the 1920s. A glamorous leading lady for Cecil B. DeMille and Paramount, she was known for her dramatic range in films such as Male and Female (1919) and Sadie Thompson (1928), the latter bringing an Academy Award nomination. Decades later her career was famously revived by her role as the faded silent star Norma Desmond in Sunset Boulevard (1950).

Graeme H. Turbot

Graeme H. Turbot was a sculptor active in the early twentieth century. Her sculpture "Daffodil", inspired by the Greek myth of Narcissus, was photographed and published in a Japanese art journal in the 1920s — the source of the reproduction in this collection. Little else is reliably documented about her life.

Guillaume Seignac

1870 – 1924French

Guillaume Seignac was a French Academic painter who studied under William-Adolphe Bouguereau and Tony Robert-Fleury at the Academie Julian. He specialised in mythological and allegorical subjects featuring idealised female figures, exhibiting regularly at the Salon des Artistes Francais. His work preserves the neoclassical tradition of flawless flesh tones and compositional grace.

Henri Ottmann

1877 – 1927French

Henri Ottmann was a French Post-Impressionist painter born in Ancenis, Loire-Atlantique. He trained at the Academie Julian in Paris and exhibited alongside Matisse, Bonnard, and Signac at the Salon d'Automne and Salon des Independants. His luminous coastal scenes and still lifes earned his work a permanent place in the Musee d'Orsay. His career was tragically cut short by a fatal automobile accident in Vernon at age 49.

Isoda Koryusai

c. 1735 – c. 1790Japanese

Isoda Koryusai was a former samurai who became one of the most refined ukiyo-e artists of the mid-Edo period. He transitioned from warrior life to art, producing elegant depictions of courtesans and domestic scenes characterised by sophisticated linework and sensitivity to textile patterns. He is particularly celebrated for his pillar prints (hashira-e) and his series of fashionable beauties.

Jean-Auguste-Dominique Ingres

1780 – 1867French

Ingres was the leading proponent of French Neoclassical painting in the nineteenth century, a devoted disciple of Raphael who championed line over colour in opposition to the Romantic movement of Delacroix. He served as director of the French Academy in Rome and completed his final masterpiece, Le Bain Turc, at the age of eighty-two.

John Singer Sargent

1856 – 1925American

John Singer Sargent was the foremost portrait painter of the Gilded Age, born in Florence to American expatriate parents. After studying under Carolus-Duran in Paris, he achieved fame and scandal with Portrait of Madame X. His later work includes murals for the Boston Public Library and the Museum of Fine Arts, as well as luminous watercolours painted during his travels.

Katsuda Chikuo

Japanese

Katsuda Chikuo was a Japanese painter deeply attuned to the dialogue between human will and animal vitality. His equestrian subjects reflect both the samurai heritage of the warrior class and Japan's modernising military ambitions during the early twentieth century.

Katsumi Miyake

Japanese-American

Katsumi Miyake was a Japanese-American photographer active in California during the 1920s. He participated in American camera clubs while maintaining connections to the Japanese art world, working during an era of rising anti-Japanese sentiment that would culminate in the Immigration Act of 1924. His work documented American urban life for Japanese audiences through various art publications.

Kawabata Ryushi

1885 – 1966Japanese

Kawabata Ryushi was a Japanese artist active during the early to mid-twentieth century. He is primarily known for his religious paintings and mandalas. His work often focuses on Buddhist iconography.

Kikugawa Eizan

1787 – 1867Japanese

Kikugawa Eizan was among the last great masters of bijin-ga (beautiful women) in the ukiyo-e tradition. A student of his father Kikugawa Eiji, he developed a distinctive elongated figure style that bridged the classical canon with the evolving tastes of the late Edo period. His prints were widely collected in Europe during the Japonisme movement of the 1860s-80s.

Kinji Koshiba

1889 – 1961Japanese

Kinji Koshiba (小柴錦侍, 1889–1961) was a Japanese painter in the yōga (Western-style) tradition. Born in Tokyo, the second son of Koshiba Ei — a pioneer of lithographic printing in Japan — he graduated from the Tokyo Higher Technical School in 1911 and then spent about nine years in France, studying at Maurice Denis’s Académie Ranson and the École du Louvre before returning to Japan in 1920. In Japan he studied under Matsuoka Hisashi, Mitsutani Kunishirō and Wada Eisaku. A devout Catholic, Koshiba was best known for religious and Marian paintings, several of which won special selection (tokusen) at the Imperial Academy of Art Exhibition (Teiten); he also exhibited with the Sōgenkai. He evacuated to Karuizawa during the war and died in Tokyo in 1961.

Kitagawa Utamaro

c. 1753 – 1806Japanese

Kitagawa Utamaro is the supreme master of bijin-ga (beautiful women) in the ukiyo-e woodblock tradition. Working under publisher Tsutaya Juzaburo, he revolutionised portraiture by pioneering bust-length compositions that explored psychology and emotion. His influence on European art was profound, inspiring Toulouse-Lautrec, Degas, and Mary Cassatt.

Komei Suwa

Japanese

Komei Suwa (諏訪鴻明) was a Japanese painter who exhibited with the Shinkō Yamato-e Association (新興大和絵会), the movement founded in 1921 by Matsuoka Eikyū to revive the classical Yamato-e tradition in a modern idiom. His decorative landscape "A Harvest of Wheat" was shown at one of the association's exhibitions. Little else about his life is documented.

L. F. Randolph

American

L. F. Randolph was an American salon photographer active in the early twentieth century, working within the pictorialist movement that sought to elevate photography to the status of fine art through careful manipulation of light, focus, and printing technique.

Laura Knight

1877 – 1970British

Dame Laura Knight (née Johnson; 1877–1970) was an English painter and printmaker, and the most successful British woman artist of her era. From 1907 she worked in Cornwall — at Newlyn and then Lamorna — becoming a central figure of the Newlyn School alongside Alfred Munnings and Lamorna Birch, and painting the luminous, open-air scenes of beaches, bathers and cliffs for which she is best known. She was also celebrated for her pictures of the circus, the ballet (she was given backstage access to the Ballets Russes) and the theatre. Created a Dame in 1929, she became in 1936 the first woman elected to full membership of the Royal Academy since its founding members Angelica Kauffmann and Mary Moser in 1768. During the Second World War she was an official war artist — painting ‘Ruby Loftus Screwing a Breech-ring’ (1943) — and in 1946 recorded the Nuremberg war-crimes trials in ‘The Dock, Nuremberg’. In 1965 she became the first woman given a solo retrospective at the Royal Academy.

Leatrice Joy

1893 – 1985American

Leatrice Joy was a prominent American actress of the silent film era, best known as a favourite leading lady of director Cecil B. DeMille. She popularised the bobbed haircut for women in Hollywood and appeared in sophisticated comedies that pushed boundaries of fashion and social convention throughout the 1920s.

Leo Putz

1869 – 1940German-Austrian

Leo Putz was a Tyrolean-born painter who became a central figure in the Munich art scene. A founding member of the artists' group 'Die Scholle,' he exhibited across Europe and spent significant periods painting in Brazil. His work synthesised French Impressionist light with the decorative sensibility of Jugendstil, creating paintings of remarkable chromatic intensity.

Louis-Ernest Barrias

1841 – 1905French

Louis-Ernest Barrias (1841–1905) was a French sculptor of the academic school, winner of the Prix de Rome. His marble-and-onyx allegory "Nature Unveiling Herself Before Science" (1899), now in the Musée d’Orsay, became one of the most reproduced sculptures of the Belle Époque — photographed for journals worldwide, including the Japanese journal this print was taken from.

M. Hayashi

Japanese

M. Hayashi (林明善) was a Japanese painter working in the yōga (Western-style oil) manner in the early twentieth century. His coastal view "The Seaside of Choshi on a Fine Day," depicting Cape Inubō and its lighthouse in Chiba Prefecture, was shown at the Prince Shōtoku Memorial Art Exhibition (聖徳太子奉讃美術展覧会, held 1926 and 1930). Little else about his life is documented.

Madame Yevonde

1893 – 1975British

Madame Yevonde (Yevonde Cumbers Middleton) was a pioneering British portrait photographer who championed the Vivex colour process in the 1930s. She trained under suffragist photographer Lallie Charles before establishing her own London studio in 1914. Her celebrated series of society women posed as mythological figures remains a landmark of early colour photography.

Mae Murray

1885 – 1965American

Mae Murray was one of the most glamorous stars of the silent film era, known as 'The Girl with the Bee-Stung Lips.' She began her career as a dancer in the Ziegfeld Follies before becoming one of Hollywood's top-billed actresses in the 1920s. Her most famous role was in Erich von Stroheim's 'The Merry Widow' (1925).

Maruyama Banka

1867 – 1942Japanese

Maruyama Banka (1867–1942) was a Japanese watercolor painter celebrated for his mountain landscapes. He trained first in Nanga literati painting before turning to Western methods, and in 1913 he helped found the Nihon Suisaiga-kai (Japan Watercolor Society), arguing that watercolor deserved to stand beside oil. His work was shaped by relentless travel — Europe in 1911, then Korea, China, Southeast Asia and India in the years that followed — where he recorded foreign landscapes with a plein-air sensibility. His view of Mount Abu in Rajasthan dates from that Indian journey.

Maurice Denis

1870 – 1943French

Maurice Denis (1870–1943) was a French painter, printmaker and writer, and the chief theorist of Les Nabis, the Symbolist group he helped found in 1890. His 1890 manifesto declared that a picture is “essentially a flat surface covered with colours assembled in a certain order” — a foundational idea for modern art. A devout Catholic nicknamed “le nabi aux belles icônes,” he devoted much of his later career to religious painting and church decoration, founding the Ateliers d’Art Sacré in 1919. Denis was avidly collected in Japan from the Taishō era onward: the painter Umehara Ryūzaburō studied under him at the Académie Ranson, and Kojirō Matsukata’s acquisitions gave Tokyo’s National Museum of Western Art the largest holding of his work outside France.

Michel Fokine

1880 – 1942Russian

Michel Fokine was a revolutionary Russian choreographer who transformed classical ballet from spectacle into expressive art. As chief choreographer of Diaghilev's Ballets Russes, he created works that broke with the rigid conventions of Imperial Russian ballet and introduced dramatic unity, natural movement, and collaboration with avant-garde composers and designers.

Raphael Collin

1850 – 1916French

Raphael Collin was a French painter active during the late nineteenth and early twentieth centuries. He was associated with the Nabis movement and is known for his lyrical approach to portraiture and landscape painting. His work often features soft colors and a focus on decorative composition.

Rikizo Takada

Japanese

Rikizo Takada was a Japanese watercolour painter active during the 1920s whose practice drew upon both European impressionist methods and the contemplative traditions of Japanese landscape painting. He exhibited at the prestigious Mizue-kai watercolour exhibitions.

Russell Greeley

American

Russell Greeley was an American painter active in the early twentieth century, working within the figurative tradition that flourished in Boston and New York ateliers. His work reflects the editorial commitment of Japanese art journals to showcasing Western academic painting alongside contemporary movements.

Ryoji Nakai

Japanese

Ryoji Nakai was a Japanese landscape painter active during the Taisho and early Showa periods. Working at the intersection of Eastern landscape convention and Western naturalism, he documented Japan's sacred mountain geography during a period of rapid industrialisation.

Saburosuke Okada

1869 – 1939Japanese

Okada Saburosuke was a pioneering Japanese yoga (Western-style) painter who studied under Raphael Collin in Paris. He co-founded the Hakuba-kai (White Horse Society) and became a professor at the Tokyo School of Fine Arts. Awarded the Order of Culture in 1937, he was instrumental in legitimising the nude as a subject within Japanese art.

Seisho Hamaji

Japanese

Seisho Hamaji was a Japanese painter working during the Taisho and early Showa periods, navigating between inherited classical traditions and the transformative influence of Western modernism. His work draws upon the canon of East Asian aesthetic philosophy.

Shuncho Kichisado

Japanese

Shuncho Kichisado was a Japanese artist working within the ukiyo-e tradition, known for atmospheric depictions of rain and natural phenomena. His work exemplifies the Edo-period aesthetic that transformed fleeting weather into enduring visual poetry through the precise vocabulary of woodblock printing.

Sidney H. Sime

1865 – 1941British

Sidney Herbert Sime (1865–1941) was an English artist celebrated for his fantastic, macabre and visionary work. Born into poverty in Manchester, he worked in the Yorkshire coal mines before training at the Liverpool School of Art and rising to prominence in the 1890s through periodicals such as Pick-Me-Up, The Idler and the Pall Mall Gazette. He is best remembered for illustrating the early fantasy of Lord Dunsany, beginning with The Gods of Pegāna (1905), and his eerie imagination later influenced admirers such as H. P. Lovecraft. He worked increasingly in colour in his later years; much of his surviving output is now held in an archive in his home village of Worplesdon, Surrey.

Sotaro Yasui

1888 – 1955Japanese

Yasui Sotaro was one of modern Japan's most important painters, known for fusing French Post-Impressionism with Japanese compositional sensibility. He studied at the Academie Julian in Paris under Jean-Paul Laurens from 1907 to 1914, absorbing the lessons of Cezanne and Renoir. He received the Order of Culture in 1952 and was a professor at Tokyo University of the Arts.

Sumiko Kurishima

1902 – 1987Japanese

Sumiko Kurishima was one of Japan's first true female film stars, rising to prominence in the early 1920s at Shochiku studios. Her naturalistic beauty and refined deportment made her the embodiment of modern Japanese femininity. Beyond film, she maintained a devoted practice of nihon buyo (classical dance), viewing it as essential to her craft.

Suzanne Henry

French

Suzanne Henry was a French dancer active during the 1920s, performing in Paris during the golden age of expressive and modern dance. She was featured in international arts publications, representing the flourishing dance culture of interwar France.

Suzuki Harunobu

1725 – 1770Japanese

Suzuki Harunobu (1725–1770) is widely regarded as the founder of nishiki-e, the full-colour woodblock printing technique that transformed ukiyo-e from monochrome illustration into a luminous art form. Active in Edo, he was celebrated for his delicate bijin-ga, including his famous portraits of Osen, the beauty of the Kasamori shrine teahouse.

Utagawa Hiroshige

1797 – 1858Japanese

Utagawa Hiroshige was the undisputed master of Japanese landscape printmaking, producing over eight thousand prints during his prolific career. His series 'The Fifty-three Stations of the Tokaido' and 'One Hundred Famous Views of Edo' transformed ukiyo-e from its focus on figures toward the poetic possibilities of landscape. His work profoundly influenced the French Impressionists and Art Nouveau.

Utagawa Kuniyoshi

1798 – 1861Japanese

Utagawa Kuniyoshi was one of the last great masters of the ukiyo-e tradition, renowned for his dynamic warrior prints, supernatural subjects, and innovative compositions. His bold, muscular style and dramatic use of colour anticipated modern manga and graphic illustration by more than a century. He trained many students who carried the ukiyo-e tradition into the Meiji era.

Xavier Bricard

French

Xavier Bricard was a French academic painter active in the early twentieth century, working within the tradition of Salon painting that prized anatomical precision and luminous flesh tones. His works depict reclining figures and intimate domestic scenes with the technical mastery characteristic of the post-Bouguereau generation.